Marie Le Moigne

De l’autre côté du miroir (On the Other Side of the Mirror) is a series of analogue photographs exploring threshold zones between appearance and disappearance through a tension between body and landscape.

Within these images, the body emerges, doubles, fragments, and gradually fades into an unstable environment in constant transformation.

Traces, imprints, and bodily clues surface within the image. They compose a troubled universe where points of reference begin to falter, and where the visible gives way to uncertain forms. Time appears suspended, held in an intermediate state between revelation and disappearance.

Emptied of any fixed identity, the body becomes a porous material traversed by the elements. It no longer asserts itself as a central subject, but dissolves into a sensitive ecology where nature and flesh merge. Nature is not conceived as a backdrop, but as an active force: it alters, covers, infiltrates, and transforms.

The analogue process plays an essential role here. Development accidents, chemical alterations, and gradual erasures fully participate in the visual writing. The image becomes a living surface, a site where time is inscribed and where traces of an ongoing transformation are deposited.

Each photograph functions as a fragile vestige, an imprint in the process of vanishing. What appears is always under threat of erasure.

Echoing contemporary ecological, perceptual, and ontological upheavals, the project questions the dissolution of boundaries: between body and environment, human and abstract forms, visible and invisible. The mirror, as a central figure, operates as a threshold, a passage into an inverted world where identity diffracts and recomposes itself.